Monthly Archives: April 2018

Music Teacher Resources At Your Fingertips

Music is not a theoretical subject like Science or Math that is why it is arguably more challenging to teach such. Music teachers must then tap resources to further augment, enhance and improve their teaching competence. Instructional strategies, methodologies and materials, including various music teacher resources have been developed thru the years that most music teachers use for their lessons.

One such approach is the Kodly method, which stresses the benefits of physical instruction and response to music. It resides within a fun, educational framework built on a solid grasp of basic music theory and music notation in various verbal and written forms. Trademark methods include the use of solfege hand signals, musical shorthand notation (stick notation) and rhythm solmization (verbalization).

Another is the Orff Schulwerk, which begins with a students innate abilities to engage in music, using basic rhythms and melodies. It encourages improvisation and discourages adult pressures and mechanical drills. To accommodate the requirement of the approach, a special group of instruments was developed from modifications of the glockenspiel xylophone, metallophone, drum, and other percussion instruments.

The Suzuki method, meanwhile, uses music education to enrich the lives and moral character of its students by creating the same environment for learning music that a person has for learning their native language. Love, high quality examples, praise, and a timetable set by the students developmental readiness for learning a particular technique make up this said environment.

Swiss musician and educator mile Jaques-Dalcroze also worked out a method divided into three fundamental concepts the use of solfege, improvisation, and eurhythmics. The last, the methods trademark, teaches concepts of rhythm, structure and musical expression using movement. It allows the student to gain physical awareness and experience of music through training utilizing all senses, particularly kinesthetic.

Other notable methods include Gordon Music Learning Theory, which provides the music teacher a comprehensive method and resources for teaching musicianship through audiation, the developer Edwin E. Gordon’s term for hearing music in the mind with understanding. Another is Conversational Solfege, which views music as an aural art with a literature based curriculum. The scheme consists of rhythm and tonal patterns and decoding the patterns using syllables and notation.

The Carabo-Cone or Sensory-Motor Approach to Music, on the other hand, involves using props, costumes, and toys for children to learn basic musical concepts of staff, note duration, and the piano keyboard. In Manhattanville Music Curriculum Project (MMCP), meanwhile, students are given freedom to create, perform, improvise, conduct research and investigate different facets of music in a spiral curriculum.

New methods for community music education in urban setting are Applied Groovology and Path Bands. It advocates parents encouraging their children to more freely experience the natural joys of improvised music and dance though grooving and dandling. Path Bands, in particular, use improvised multicultural brass bands for active lifelong participation in music.

New methodologies and strategies are sure to arise. These will be welcome addition to the accepted set. Yet, no matter how many choices there exist, any noble music teacher would choose only what he thinks is best.

What Is Rockabilly Music

What is rockabilly music? I’ve had to think long and hard to answer that question! Technically, rockabilly is a particularly wild and unrestrained form of music that grew out of the roots of country music and blues music in the early 1950s. It raged strong into the early 60s when it was overshadowed by forms that grew out of it, particularly acts that were part of the British invasion. But the form never really died and it was further defined by a resurgence in the 1980s when elements of punk and jazz were infused into the basic form. It continues to evolve today more than 50 years after it first appeared on the pop scene.

Rockabilly music has undoubtedly influenced virtually every form of rock and roll that has come after it. The Beatles, the Rolling Stones, and countless other bands and artists site rockabilly music and rockabilly musicians as the most influential force in their development as musicians. Once you become familiar with the sound of rockabilly, you will hear it in many popular songs that you’ve known and loved for years never realizing from where the roots sprung.

By and large, the original rockabilly musicians remain mostly unknown to most lovers of modern pop music and of those that they do know, they don’t really understand their rockabilly roots. For example, Elvis Presley is, as everyone knows, the King of rock and roll. But most people don’t really understand where Elvis started: with rockabilly music. In fact, he’s considered one of–if not the–inventor of the genre.

Similarly, virtually everyone knows the song “Blue Suede Shoes” and they may know it as an Elvis song. However, the song was written by a rockabilly legend named Carl Perkins who had an even bigger hit with it than Elvis did. Carl never had another big hit and is sometimes shrugged off as a “one-hit wonder” because of the fact. However, what most people miss when they dismiss him like this is the incredible influence Perkins has had on modern rock and roll music. The Beatles’ George Harrison idolized Perkins and studied his music intensely. And he was by far not the only one who cites Perkins as a major influence. Perkins’ guitar playing has served as the basis of education for countless young guitarists throughout the years.

So, does any of that actually answer the original question? What is rockabilly anyway? Rockabilly is raw excitement. It’s unrestrained music created by brash, young musicians who were inventing the rules as they were going along. It’s no-holds-barred fun. It makes you dance. It makes you smile. And it makes you want to hear more. To millions of fans throughout the world, it’s the perfect form of rock and roll music!

Live Music For Events Plan It In A Unique Way

There are many people who plan some events every year and hire live music to add charm in the party. Music is bestowed with an exceptional charm, which keeps the power to let people enjoy regardless of their gender, culture, age, color, creed and race. If you are also planning some musical spice in your event, then ascertain the things to add colors to the environment. Before you hand over the party to a band, you should follow few vital steps to make the best and the smoothest arrangements for your show.

First, you should select an appropriate venue and make sure that it allows the kind of music, which you have selected for your event.

It is your responsibility to use plenty of time in researching an excellent musical group to make the mood of your party.

You should appoint a band, which is capable of seeking attention of your guests and make them enjoy at the fullest.

This must be your prime focus that the band gives its performance in a logical order. For instance, in a wedding ceremony they must not play the DJ songs before the first dance song.

Points regarding venue:

This is good that you have chosen the best venue of your city to conduct the occasion that is also in accordance with your musical choice. But, you also keep it in mind that your venue is in outdoors or indoors and make arrangements accordingly. In addition, you must check the seating capacity, the stage placements & its size, musical equipment and time of the band performance.

Factors to create a remembrance:

Live music is usually the thing of the evening and it is going to be the most talked topic of your party among guests. It is quite normal that people will not discuss the table decorations two weeks later, but they take interest in talking about the lovely music and dance.

Choice of music:

You need to select one that will not leave any stone unturned in setting an atmosphere. According to the mood of your event, you can choose smooth jazz to enjoy sitting in the background or you can prefer to create a huge impact by taking all the guests on the dance floor.

Ample place for dance:

If you are choosing live music for dance focused events, then make sure that there is sufficient space for guests to jig on their favorite numbers. It is your responsibility to take care of the sentiments of your guests and avoid hustle and bustle while dancing. And, last but not least, you should also be strict towards the timing for closing your party to ignore any sort of mess.

Hence, we have discussed almost every relevant point, which will help you select wonderful live music for events. Above all, you must not forget to give a consideration to your budget and try your best to wind up the event within estimated cost. So, follow these guidelines and enjoy your party at the same time making it memorable.